The Hieroglyphical
Seal
of the Society of unknown Philosophers
Let no man judge this present
Character to be invented and erected for us for nothing.
For the Trident is the Neptune of our Parable which comprehends
the whole hermetical Science hieroglyphically and compendiously,
as well the Theory as the Practice. But that these Mysteries may
be well understood we shall proceed in twofold Order geometrical
namely by resolution and Composition or analysis and synthesis.
By way of Analysis first the
Maxus is to be considered or the Total Unity of the Figure.
2. The Duality, or that Part of
Conus or that of the right Pyramids.
3. The Trias, or Triplicity of
the sines, or that of the angles, and
4. The Quaternarium of the
Lines, and last of all the utmost Points, the Dimension of the
whole figure and the Breatdth of the Lines.
Each of them have their
cabalistic Significations.
But the way of Synthesis or
Composition, the Reversion of the Quaternarius of the Linse, to
a Trias takes Place.
Then of the Trias into a Binary
of the Cones.
3. That of the Binary into a
Monas.
And both Analysis as well as
Synthesis do not inelegantly represent as well the first
Genesis, viz: the Creation of corporeal Beings; as also the
second Genesis viz: the natural Production or Multiplication of
the same Things, and lastly also doth it represent the Order
which imitating Art doth keep both in its analytic as well as
synthetic Method.
And now as concerning the first
Genesis, monas, or the Unity of the Total Character, its deform
Figure, or, as it were of no Figure because of its ugly
Sinuosity, which tends neither to the Figure of a Triangle,
neither Square nor yet a Circle, or any other perfect Figure,
denotes the characteristical Water, the first corporeal Being,
which hath a deform Form and is indifferent to receive any
perfect Form. The Duality or Binary of two strait Pyramids, or
the two Cones going together, denotes the most remote, active
and passive Power of the said [Ens].
The Trias or Triplicity of the
Sines (being threefold corroborated and turned and opposite One
to the other and so disposed that each makes the immediate and
indivisible lateral Part of the Other) signifies the Hylem,
Archeus and Azoth which in like manner stand affected and
related one to the Other. The Quaternans of strait Lines of
Divers Latitude, Position and Term, notion yet mutually
conjoined signify the four Elements, their Distinction and
Distribution of their first Qualities as well as symbolical as
dissymbolical.
Then as to the Retrogradation
by Synthesis.
The threefold Conjunction of
Lines in their compounded Angles doth spew the Composition of
principiated Principles of the first Order, viz: Salt, Sulphur,
and Mercury and the Cortion of the Elements and communion, which
their dissymbolical Qualities have by means of symbolical.
The Binary of Cones or that of
the Pyramids in various Sides and joining together in the Basis
do denote the princpiated Principles of the second Order as are
Sulphur and Mercury, mas and [Fomina], humidum and calidum.
Lastly the Monas of the total
Characters which is drawn from the joined Cones and all
coalescing doth represent Mercurium Philosophorum, Aquam
chaoticam secundam, or in a Word our universal Spirit.
But the outmost Point which
here and there; answer the Conjunction of the Cones do represent
the masculine and feminine Seed of all kind of Species.
But the Points in which the
Lines mutually do concur and make Angles, those represent the
three Families of the infima mixta with their Diversity of
Species formed out of the said Seeds.
Now likewise as to the natural
Production and Genesis. The Monas of the whole Character,
demonstrates the whole Matter, not that fictitious one of the
erroneous Schools but of corporeal, sensible and already endowed
with some primordial Form, namely that of the simple Elements or
principiating Principles, as also represents the princpiated
Principles.
The Binary of Cones, shows the
real and actual Motion of Action and Passion of all corporeal
Beings and the nearest cause of perpetual Corruption and
generation. The Trias of the Sines doth prefigurate the
Influence of the higher Bodies viz: the Stars and Astra and the
continual Reflux of the inferior and confluence of middle
Regions, Bodies form the Center of the World, to the
Circumference of the whole Corporeal Machine.
The Quaternary of Lines
demonstrates the Effluxion of the Elements and the Emission of
the quinta Essentia.
But to make a Reflection by Synthesis.
The Triplicity of signs shows
the Multiplication of principiated Principles of the first Rank
and Order viz: Salt, Sulphur, and Mercurius. The Binary of
Cones, is a Type of multiplication of principiated Principles of
the second Order, by the Congress of that President.
Lastly the Monas of a Sinous hieroglyphical Characteris an Image
of Multiplication as well of primordial Seeds, as that of the
Species of both Families of the infima mixta by a threefold
Digestion and magisterial concoction and determinated
Specification of the universal Spirit.
Likewise in the Analysis and
Synthesis touching our Art. The Monas of the Character as a type
of the foresaid chaotical water, which is loaded with a confused
Bulk of heterogeneous Things out of which he must be brought to
Light by means of our Art, of doubled consistency. The Binary of
Cones signifies the two substances, coming from the Body of the
universal Spirit, by the solution of what is coagulated, but not
by division of what is mix'd, to be distinguished.
The Trias of the Lines
prefigurates the threefold Temper which the universal Spirit
hath acquired viz: Mercurial, Sulphurous, and Saline.
Lastly the Quaternary of Lines
denotes the harmony of the four Elements.
Then by an inverse Order, or to
proceed again by Synthesis.
The Triplicity of lines
describes the three principal Parts of the Magistry, and its
Purposes viz: the Solution of the Body, the Coagulation of the
Spirit, and the Union of the Body, Soul, and Spirit and that by
means of Digestion. The Binary of joined Pyramids do depaint the
Specification of the Magistry, by Solution and Coagulation as
well for the Red and White Elixirs.
But the Position of the most
outward Points designs the Projection of the Elixir upon divers
Qualities of divers other Bodies and an actual Transmutation of
imperfect Forms to a most perfect One, either of a more noble
Species or again of a seminal Substance.
L.D. et B.V. Maria